Dust this one off.
Two valid questions from the person who sent this in:
Why are there two oranges on top of the planer? Why is the harpsichordist playing on a planer?
And: why are they in a wood shop to begin with? There’s sawdust everywhere. It’s amazing it hasn’t started to cling to the stockings of the flutist in the foreground.
I’m sure that Ligeti score is around here somewhere…
Is that an actual mess, or did they artfully arrange the scores around him while he sat earnestly on that box?
